Julie Jules Smoot’s work as a sound alchemist did not emerge from theory or technique alone. It grew slowly—through years of personal healing, careful listening, and learning what it means to live inside a body again after trauma. Before sound became an offering, it was a companion. Julie’s healing path has included many modalities, each meeting her at different moments, each teaching something distinct about safety, choice, and timing.

People often ask what is supposed to happen during sound healing. They want to know what they should feel. They want to know if they’re doing it right. They want to know how they’ll know it’s working. These questions make sense. Many of us have learned that healing looks a certain way—calm, emotional release, insight, lightness, peace. But trauma-informed sound begins with a quieter truth:

If you’re here, you may be curious about sound healing—but unsure if it’s for you. You may be living with trauma, grief, exhaustion, or a nervous system that doesn’t easily settle. You may have tried meditation, breathwork, or sound before and felt like it didn’t work—or didn’t feel safe. This space is different. There is no right way to be here. There is nothing you need to fix. You are welcome exactly as you are.

Julie Jewels Smoot continues to expand her sound alchemy practice with a variety of newer albums, single tracks, and immersive sound experiences that build on and diversify her earlier Threads of Trauma work. This evolution in her artistic journey reflects not only her commitment to exploring the depths of sound but also her desire to connect with listeners on a more profound level.

“Shut Up and Listen to Survivors” operates less as a protest poem and more as a clinical case statement rendered in voice. Written in 2016 in response to survivors of military sexual trauma (MST) being heard but not meaningfully responded to during U.S. Senate proceedings, the poem articulates a familiar trauma dynamic: testimony offered in good faith, followed by institutional non-response.