This series does not offer solutions. It offers space.

You do not need to listen the entire time. You do not need to stay near the sound. You do not need to “work with” the vibration. Turning the sound off is part of the practice. Leaving the room is part of the practice. Needing quiet afterward is part of the practice.

Julie Jules Smoot’s work as a sound alchemist did not emerge from theory or technique alone. It grew slowly—through years of personal healing, careful listening, and learning what it means to live inside a body again after trauma. Before sound became an offering, it was a companion. Julie’s healing path has included many modalities, each meeting her at different moments, each teaching something distinct about safety, choice, and timing.

Often, the most meaningful shifts happen later. In the way you pause before responding. In the way you notice your breath while standing in line. In the way your body recovers a little more quickly. These changes are subtle. They are easy to miss because they do not feel like events. They feel like capacity.

People often ask what is supposed to happen during sound healing. They want to know what they should feel. They want to know if they’re doing it right. They want to know how they’ll know it’s working. These questions make sense. Many of us have learned that healing looks a certain way—calm, emotional release, insight, lightness, peace. But trauma-informed sound begins with a quieter truth: